Signed, Sealed, and Delivered!

Mission accomplished!

I don't usually take commissions. I know where my limitations lie. Deadlines are always tough to meet when you have children as your prime responsibility to care for. Mostly - I worry the whole time whether the client will like the piece, instead of enjoying the process.

This was an exception in many ways. I proposed the commission, the client chose something that was already mostly complete and I had a relaxed, rather than a rigid, timeline. And.... she loved it. Whew. I love it myself.

It began with plain white print cloth.

Dyed - pinkish. Overdyed with browns.

Several images were manipulated in Photoshop to create screens; violin, manuscript, wings.

Manuscript was screened with a discharge agent to remove dye from the fabric.

Manuscript was screened with brown textile paints.

Violins and wings were screen printed.

Large violin was screen printed and brush painted.

Hand stitching around the small violins.

Machine stitching to emphasize the large violin.

Textural machine stitching in areas to help highlight both large and small elements.

Very subtle beads added to add that ... spark.

Presentation - stretched and secured onto gallery wrapped canvas. The client can choose to hang it as-is or add a frame.

Focal Point - a place for the eye to rest

A client came over to the studio last week to talk about a possible commission. I had work laid out, my portfolio ready, and she had already looked at the gallery on my website. She is a violinist so I was expecting perhaps, to do a piece based on a photograph like this one. This is my daughter, photographed by the very talented Julia Wade:

Instead, the client looked at the fabric laying out on the table that I had just screen printed, and said "can you just quilt this?" Hmmm. I really love this piece but hadn't considered it complete in and of itself. She chose a section of the fabric that she really liked and we talked about some possible stitching options.

The problem, after cutting out the section she liked, was that there really wasn't a focal point. No real place to rest the eye. She had nixed a larger black print of a violin and favored a more subtle look. I think I've got it figured out now and am excited to begin stitching into it. 

It's still subtle but now there is something to look at. Somewhere to draw your attention and hold your interest. Let me know what you think about it.

Still two Artist's Trading Cards left by the way - they go right into the next two orders of my DVD Workshop. Hope you all are enjoying it. As always - I'd love to see any work you do utilizing any of the techniques from the DVD.