Showing posts with label screen printing. Show all posts
Showing posts with label screen printing. Show all posts

Thursday, September 13, 2012

On-Line Class: Freeform Screenprinting

Registration is open for one of my favorite classes over at QuiltUniversity.com.
four lessons, one opening each week beginning September 14th

      OUTLINE

  • Lesson One
  • Preparing your materials and workspace
  • The mechanics of printing
  • Paper stencil screens
  • Lesson Two
  • Found materials and other resists
  • Finger blending
  • Plastic stencil screens
  • Bonus - discharge printing
  • Lesson Three
  • Flour paste screens
  • Preparing images for Thermofax screens
  • Printing with Thermofax screens
  • Printing yardage
  • Lesson Four
  • Cheap and easy home-made frames
  • Glue and paint screens
  • Spray paint screens
  • Bonus - drawing fluid and filler


The class will be open for almost seven weeks. 
An extra week is built in before one of the lessons to let you order or create your own Thermofax screen. 

Beginning experiments by Charlotte Robinson

I'll be checking into the class forum each day to answer any and all questions you might have.

Layered prints by Maggie Birchenough

I've got to say that Quilt University is one of the best deals out there. $37 for four lessons and that much of my time is an absolute steal!

Stencilled screen by Sue Price

We'll have a ton of fun - and best of all, you don't have to haul stuff anywhere!

Screened discharge with a tape resist by Elizabeth Gobson

I hope to see you there!
sign up at

Saturday, May 5, 2012

Tutorial: How to edit a photo for a thermofax screen

I'd like to show you how to take a photograph and prepare it for a thermofax screen. Printing with these screens is one of my very favorite things to do - you can use them with cloth or paper or really - any flat surface. If you don't have access to a thermofax machine, I have a service where I can create a screen for you from your own images, as well as having a number of ready-made images for you to use.







1- Select an image. Choose something with high contrast - it's easiest if it has a plain or simple background. Either use your own photography or find something that is copyright free. Wikimedia Commons has a wonderful repository of images under Creative Commons Licenses that are available for you to use. Download the highest resolution available.
Harmann zebra, Hobatere Private Reserve, west of Etosha National Park
Author - moongatclimber
2 - Open your image in your favorite digital editing program. 
I'm using Adobe's Photoshop Elements (PS10) but the tools I'm using are fairly standard. They might be in a different place - if you have trouble finding them type in the name of the tool in the help window on the toolbar. You can download a trial version of the PS10 and use if free of charge for 30 days.

3- Crop your image.
Use the CROP tool to eliminate extra background. It simply gives you less space to have to fuss with.









4- Remember that command or control Z is your best friend - it's the "undo" function and will let you back up as many steps as you need to if you don't like what you've done.


\5- Select your subject. Use the magic wand, or some other selection tool to click and select all the way around the edge of your subject. You might need to click a lot in some areas that don't have a high contrast line - don't worry if extra space is included - you can erase that in a minute.


Sometimes when I double click I lose the selection. I just clicked too fast and the whole thing disappeared. What I do is just hit command Z again and it reappears.

6- Invert the selection.  The blinky line will now be around the outside of the image and around your subject.


7- Hit Delete and the background will disappear - at least mostly.

8- Control - D deselects everything.

9- Click on the Zoom tool and zoom in so you can see the edges of your work.


You can see that there are areas that need a bit of cleaning up and areas that you might not want to draw attention to. (Sorry guy - you’re going to be gelded.)







10- Choose the eraser tool to clean up your edges. 
Use the slider to change the size of the pixel brush so that it comfortably fits within your picture. Keep the opacity at 100%.



Start working your edges but try not to erase large areas all in one sweep. That way if you accidentally erase something you wanted to keep (remember “control Z!”) you won’t have to re-do large areas.
Continue to zoom in and out, moving around your image and changing the size of your brush to get into any tight areas.









11- Play with the Threshold filter found under the Filter/Adjustments menu. Sometimes it works the first time but sometimes you need to back out and fix some other things first. This is one of those times.
In this case, Mr. Stripes has lost the stripes on his back - he’s not quite ready for the “Threshold” filter yet. Simply hit “cancel” and we’ll do something else.





12- Play with the lighting. Find "Enhance/Lighting" then either "Brightness/Contrast" or  "Shadows/Highlights". In this case - it is the highlights on the Zebra’s back that are being lost so I’m going to play with those for a bit and see if I can get the black and white stripes to look more even.

I’ve darkened the highlights, played with the shadows and messed with the midtone contrast until it looks like all of the stripes are closer to the same. Notice all the highly technical terms I’ve used - it’s really just messing around with things until you get something you think will work. As you gain experience you’ll be able to come quicker to the place where you can make the image work for a thermofax screen.


13- Try the Theshold function again.  My goal was to keep his eye from disappearing but to still keep the stripes on his back. Just move the slider back and forth until you are happy with your image.




14- Save your image. In fact - it is helpful to take this step quite often during your explorations. Hit File/Save As - (NOT just the automatic save function!) and rename each picture as you go. For instance, Zebra1.jpg, Zebra1.jpg etc.
Another thing to pay attention to when that "save as" screen is up is the "options" button. (I think I might have cut it off in this picture. It's usually on the bottom right. Slide your "Image Quality" button all the way to maximum. This minimizes the compression that happens every time you save a jpg. If you don't do this the file size might be so small by the time I get it that it will be too pixelated to use.

And there you have it. A crisp black and white image - no shades of gray - ready to be turned into a thermofax screen for your printing pleasure.


Send it through your thermofax machine or send it off to your favorite thermofax service provider and get ready to play! You'll be printing in no time at all!


Thursday, April 19, 2012

SurfaceXplorations! A new emagazine from Interweave Press

I'm very happy to introduce you to a new e-magazine by the talented crew over at
Interweave Press
Surface Explorations is an all digital publication and can be downloaded to your desktop or to your iPad or other tablet. Even though I can do everything on my desktop that this publication is meant to do - I'm thinking an iPad might be in my near future. It's that COOL!!!

I don't think printed media is going away any time soon - there is nothing like holding a good book in your hand and turning a page and electronics and the beach don't mix. BUT - you can't click a link to go straight to a source or watch a video of the author actually showing you how to do what you just read about in a paper magazine. With this publication you can do that and more.


I'm very honored to be included in the inaugural issue of SurfaceXplorations with an article and video on Thermofax Screen Printing. I'll show you a little bit about discharge (and remind you why testing is important!) and just plain have some fun with paint.

Some of the other authors are giving you a little peak into their contributions to this fun new digital publication. Stop by each of their blogs to check it out.

Mon 4/16 Lindsey Murray http://quiltingdaily.com
Wed 4/18 Jackie Lams http://studiolams.com
Thu 4/19 Lyric Kinard http://lyrickinard.blogspot.com
Fri 4/20 April Sproule http://sproulestudios.blogspot.com
Tues 4/24 Jane Davila http://janedavila.blogspot.com





If you are interested in learning even more about screen printing, I have an on-line class called Freeform Screen Printing opening up on May 4th over at QuiltUniversity.com! We'll go even deeper into thermofax screens and learn a lot about regular screen printing too.

Scroll down a bit for another post about it or check out the class description here.

Monday, April 2, 2012

Tutorial: Screen Printed Cat Pillow

A couple of weeks ago one of my little ones walked in and said, "will you teach me to make a screen?" Now a very good mother would have done this long ago, especially since this little one has been asking to do this for months. Unfortunately I'm more of the "my studio is MY refuge" kind of mother and I don't take time out as often as I should to let them into my space. I felt the need to take time for her this time. So glad I did.

She would like to share with you her process.
She things that if she can do it so can you!
Draw your picture with a carbon pencil and send it through a thermofax machine and thermal-mesh to make a screen. You can also email your image to a thermofax screen service and let someone else make the screen for you. 

Lay out your cloth on a padded print surface (mine is a layer of felt under twill) and position your screen. It's easier to handle a foam brush than a squeegee. Dip it in the paint. With one hand hold the frame, with the other press the brush across the screen. Notice how her finger is pressing the brush? You really need to squish the paint fairly hard to get the paint through to the fabric.

We made a few prints then washed and dried the screen before turning it over and making some facing the other way. We also decided to do some splatter painting over the top of the kitties just for fun. Dip an old toothbrush into the paint and run your finger over it. It makes a really fun mess!

Cut out the kitties and hold them up to the light and make sure they are aligned. Pin the cats and sew a straight stitch around them, leaving a gap about two inches wide. Use pinking shears to trim about 1/4 inch around the outside of the seam.

Stuff your pillow through the gap. I always have left over bits of batting so she tore some of those up and used them.

Squish the batting back into the pillow and stick a pin into it so that it's easier to sew.

Sew a straight stitch to close the gap.

Pose for a picture with your beautiful little creations. Carry them around and tell everyone you know that you made them yourself. Sleep with them every night.

We'll be playing with thermofax screen printing here in the studio on April 18th.
I'd love to have you join me! 
More information can be found here.

Monday, February 7, 2011

Collages for ONE Fundraiser


I am so honored to have been invited to participate in Virginia Spiegel's
fundraiser for the American Cancer Society. She is someone who has most certainly made the world a better place and has made it easier for many people to serve in some small way as well.


One Cause - The Fight Against Cancer
One Wednesday - February 16, 2011
One Hundred Collages


FLY: DAUNTLESS

FLY: FEARLESS

FLY: VENTURE

These are three of the collages that I'm donating for the auction.
The other two can be seen here.
They are collaged sheet music and layered paint and screen printing.
Headlong has a little bit of organza thrown in as well.
Each will be mounted onto a 10" x 8" sheet of 140lb watercolor paper ready to frame.

Monday, January 31, 2011

The Sketchbook Challenge: Highly Prized


I've been thinking about the Sketchbook Challenge theme all month.
It only took a few minutes to know what I consider to be very valuable.
TIME

The first bit glued into my sketchbook? My usual schedule. It looks like that through next June. Five kids and a part time career will do that to you. Time is flying by and I often feel I'm missing it. My oldest daughter just applied for college. I'm feeling a little ... something. Excited? Yes. Apprehensive? Just a tiny bit - she's prepared. Bushwhacked? When did she grow up!?!

I've thought of images I wanted to incorporate. I've thought of amazing and wonderful outcomes.

I've also avoided actually doing anything until the last possible moment. It's a fear thing. Yup - me. The lady who preaches non-stop that "it's all about DOING the work and we can't let fear get in the way." Here I am in front of everybody - thinking everybody is expecting some fantastic outcome and feeling inadequate.

So. TIME for me to take my own words to heart and just DO it. Forget about expectations. 

1- The calendar gets glued in. Painted over with a bit of gesso. Oops. Now I remember that ink-jet prints smear when wet. Ah well, so be it. Find a couple of my favorite pics.

2- Let the gesso layer dry then paint a little bit of a color wash over that. I'm using Prochemical's Profab Textile Paints - because I have a LOT of them on hand. They're an acrylic and work fine.

3- Play around with photoshop and a few of the images that speak to my feelings. Print them out, cut them out, glue them in. I used a PVA glue this time. I think I might like gel medium better. We'll see.

4- Add a little more of a blue wash over the hands to blend it into the background.

5- More acrylic in a transparent blue and an opaque white - swirls in with a brush - like time swirling all around me and away.

6- Hunt through my stack of screen for the perfect image. Ah - there it is. This time I used it like a stencil, first with the white opaque paint, then a navy transparent. It was a pain having the wire binding loops right in the way. I'm seriously thinking of working with loose sheets then binding them as shown in Jane Davie's  tutorial. When I find some time.

I am addicted to thermofax screen printing. I have a machine and run a service, making ready made or custom screens. It allows me to feed my insatiable hunger for making new images in my own work. This particular screen came from a photo sent by Alexandria (one of my on-line students from QuiltUniversity.com) of one of her antique pocketwatches.  
This is what my work surface looks like when I've got projects going on. Stuff left from the last class I taught. Samples shoved out of the way. Kids forms for school events to be filled out. The usual. No - I'm not an artist who thinks clutter is great - it drives me nuts. I work best when I can clean everything up and start fresh with room to work and breath. No TIME for cleaning up right now.

8- Last step - I started in with pencil, moved up to a Sukura Pigma Pen and then decided a sharpie would glide over the bumpy acrylics on the page. 

My baby has wings. She's ready to fly.

I'd love your feedback.
Do you have any ideas that could help me?
I want to learn how to savor each moment, live in the present. I still have to keep most of my schedule - I'm already very good at saying no to more stuff. The things I do I love. But time still flies away.

Oh, and don't forget to head over to  the Sketchbook Challenge today to see who won this months giveaways. February's theme will go up tomorrow. Can't wait!