Wednesday, March 23, 2011
Sunday, March 20, 2011
Art 24/7 and Finding Balance
Recently a wonderful man named Michael Cunningham asked me a question worth pondering.
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| #21 by Michael Cunningham |
I'm with you Michael! Mostly. No work? No commitments? Sounds like a dream. Full days of studio time with no deadlines and no housework in the way? Gotta admit it sounds heavenly. That darn life thing and work and commitments!?
| Circles |
Except that I like my commitments. They largely consist of my family and religious duties and they will always be a higher priority than my art. That doesn't mean that I make three course meals every night and devote every waking moment to volunteering at the school or driving them to a million extra-curricular activities. I do enough - but there make room for art. Things here often fall apart when I've got a deadline approaching but it tends to be cyclical - life tends to balance out over the month - definitely not on a daily basis.
So Michael - instead of talking about keeping the passion for art right away - I'm going to start out talking about balance. To me the two are intertwined.
I'm one of those very fortunate people that doesn't need to support myself through what I do so I can say no to too many teaching gigs or to commissions - both of which would tip the see-saw completely too far away from the family. This also means that I have an awful lot of "life and keeping a household" (if not the making a living part) getting in the way of being a full time, productive, artist. I've always envied those who are able to crank out piece after piece. Then I remember - five kids and Mr. Almost Perfect. Being heavily involved in my religious community and with my friends. Ah. I chose these commitments and they're all good.
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| Tiny Sun |
My mantra this past year has been "it's all good." When people asked how I was doing - I used to say "crazy. I'm going crazy." I think I'm a whiner by nature. I could list all the looming deadlines and the million hours of driving and homework and such. I needed to stop the complaining. I hate it when my children whine and complain - especially about the good things that they don't appreciate. So now I say "a little crazy but it's all good" because, truly, it is. I don't have to look far at all to find many, many people who are much less fortunate than I. It's all about perspective, expectations, and vision.
1 - Perspective. Looking at my lack of art time during the intense years of having infants at home from the depths of those trenches was very frustrating. No time. No creativity. Exhaustion. It took a number of years to realize how quickly that time passes. My oldest, who was a baby last time I blinked, is leaving the next this year. With the last baby I told myself - focus on this. Focus on now. Don't wish this time away. Hindsight is perfect right? I could see that this time would fly and chose be happy with what was.
2 - Expectations. Keep it real. During that "trench" time I told myself I was on sabbatical. No worries about getting into the studio or producing anything or entering finished work into shows. I kept a sketchbook so if an idea happened to bubble up through the baby-induced-fog I could catch it before it slipped away. Because I didn't expect any more than that - I wasn't disappointed. Or frustrated. A few art related things actually did find their way into existence and they were a happy and unexpected bonus.
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| Three Leaves |
3 - Vision. Because I had a longer view of my past experience to draw from, I could envision life further into the future. Life is short - but it's long enough. I knew time would be mine later and I had a plan. I spent a lot of time thinking about what I wanted from my art and how to make it happen. When I was ready to get back into the studio I knew what my goals were both long and short term. I had a few immediate goals and many 5, 10, and 20 year goals. Still do. I can manage a few goals each year. I know when I might be able to start work on the more intense goals. I've got some big dreams for waaaay down the road. Even baby steps can get you closer to the top of the mountain!
Perspective - appreciate where you are
Expectations - keep it real
Vision - know where you are and where you are headed
Next week - PASSION for our art.
Where does it come from? How do you keep it burning?
So go check out Michael's daily quilts here.
And tell me how you find your balance.
Saturday, March 19, 2011
Giveaway Winner!
Last week on the In Stitches Blog Tour (go check it out if you didn't get the chance - fabulous artists!)
I promised a giveaway... I'm late as usual.
a random number from among the comments was chosen at random.org
Out of 75 comments the winner is......
OrcaLoca!
She's so pretty - and she's from Italy.
I think I want to deliver my book in person.
(sigh -some day. Teaching in Italy is my biggest dream right now.)
Friday, March 18, 2011
Faces on Friday
What an interesting journey this is - drawing a face each day. I can see some real improvement.
| at a concert I think this is my best one of the week. It actually looks like him AND captures his expression. |
| at a concert |
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| on a plane - very, very fast |
| at a concert |
I can see areas that need improvement. I pulled out all my 3x5 faces and realized most of them have chins that are too short.
| on a plane |
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| from imagination |
| in the mirror |
It feels good just to be able to see what's wrong now. It gives me the opportunity to know how to fix it.
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| on a plane, very fast |
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| left - airplane seat pocket, right - looking into the black screen in front of me |
Want to hear something crazy and fun? On the flight back I was doodling and my seat-mate said "you're an artist?" I said yes. He eventually asked if I could draw from a photo and if I could sketch his friend as a birthday gift. From a little iphone picture I did a fair (but not absolutely fantastic) drawing and handed it to him. He seemed pleased.
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| from the flight magazine a Cirque performer |
Wednesday, March 16, 2011
Call for Entry: ARTQUILTSmovement
I'd like to encourage you to enter this show - fantastic venue, always an excellent show! (Full disclosure - I'm involved in the show.)
Entry Form can be found HEREPAQA-South has made the "receive by" date a "post mark date" to give as many people as possible an opportunity to get their work entered.
The Professional Art Quilters Alliance-South (PAQA-South)announces its eighth Annual Juried Exhibition of Innovative Quilts: ARTQUILTSmovement
Movement evokes moods as varied as the individuals contemplating it. Rhythmic strains of music, the flow of language, lithe dancers, or public change and social advocacy; all are examples that encompass the meaning of movement. Are you startled by a sudden movement, drawn in to the quickly moving plot of a good book, or feel the pulse of your heart as bloods flows through your veins? Military maneuvers, the inner workings of a watch, and a well-oiled machine all portray this basic necessity of life: movement. We invite you to share your interpretation of Movement in quiltart form. Exhibit Opens: May 20, 2011 Postmark Deadline for entry: March 19, 2011 Entry Fee: $15 for PAQA-South members, $25 for non-members for up to three works submitted. Size Limitations: No larger than 40 inches wide and 60 inches high. Contact: AQtransitions@gmail.com with questions. Note: ARTQUILTSmovement will be judged via unenhanced digital image, only. The PAQA-South International Juried Exhibition: ARTQUILTSmovement will open in the Allenton and Siemens galleries of the Durham Arts Council of Durham, NC. May 20 ? July 24, 2011: Durham Arts Council, Durham, NC http://www.durhamarts.org/facility.html It is possible that the show will travel, so please be sure to check the entry form as to whether or not you give permission for your piece to travel with the show, should it be chosen.
For Your Inspiration: Chairs
I have a thing for beautifully designed chairs.
Last month I had the great pleasure of visiting the Milwaukee Art Museum.
A whole building full of amazing artwork and I am completely absorbed by chairs.
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| chairs by Prouve, Maher, Eames, Summers, and Gehry |
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| Paul T. Frankl |
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| Frank Lloyd Wright |
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| Frank Lloyd Wright |
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| Michele de Lucci |
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| Eero Saarinen |
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| Mario Botta |
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| Robert Venturi |
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| Chairs by Harry Bertoia, Verner Panton, and Eero Saarinen |
Some day - my home will be full of beautifully designed chairs.
Saturday, March 12, 2011
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