We've talked about how the
jury process works and some of the reasons work is
rejected. Of course, as
Jamie Fingal pointed out in the comments, there are myriad factors that go into a works being accepted or rejected. No matter what - it's a roll of the dice any time you enter a show.
Today let's talk about what kind of shows are available to the textile/quilt artist. I'll divide them into three general categories: Quilt Shows, Art Quilt Shows, Fine Art Shows
1- Quilt Shows
This is what the general public thinks of when you say "quilt." A gymnasium somewhere with traditional quilts and grey haired "quilt police" counting stitches with a magnifying glass. Fortunately this stereotype. While accurate in some instances, it is in many cases a very wonderful place to show your artwork. Most quilt shows now have art categories but the judges don't always come from an art background. If you are making cutting edge art - think hard about why you are still entering a quilt show.
I love traditional quilts and and greatly admire the mastery of technique that wins many a ribbon there. And I DO think that traditional quilts can be works of art in and of themselves. It's one of the things I love about the quilt as a medium of expression. There is room for everyone at every level of creative expression in the quilt world.
Pros
Many quilt shows offer the chance to be seen by a large number of people in a short time. If you want to teach quilters, it is great for them to be familiar with your work. Sometimes prize money is offered. In fact, sometimes, a LOT of prize money is offered.
Cons
Most of the people that see your quilt are more interested in buying fabric than your artwork. There is rarely a mechanism set up for people to buy your work from a quilt show. Only a very few people actually win those cash prizes - but, hey, it could happen!
Recommendation
Do your research. Does the show have art categories? How many people see it? Does it have a great reputation for treating the quilts with respect?
2- Art Quilt Shows
A show that is looking specifically for textiles but is hung and treated like a fine art show. The jurors are looking for original work, excellent composition and design. It is up to the curators how far into the innovative arena of textiles they want to venture. Some do not want work mounted in a hard frame, some require all the materials to be cloth rather than mixed media. Most are quite flexible in their requirements.
Photo by Debbie Bein (and more on her blog!)
Pros
Your work will be treated as fine art. Period. I know that in my middle-to-small sized town, the art quilt shows we sponsor at the community galleries draw the biggest "crowds. "
Cons
I'm having a hard time thinking of any. Tell me some in the comments. Some of the venues don't get a large viewership.
Recommendation
Just as with any entry - do your research to see if your work fits. I maintain a list of these types of shows on my website -
take a look.
3- Fine Art Shows
This is your regular gallery, museum, or whatever-space-available show but is geared primarily towards traditional paintings or sculpture. Most are more accepting of textiles these days. Not all - one show I entered (and won a prize in) insisted my work be put in the "fine crafts" category and displayed it on a pedestal on the floor with ceramics and wood pieces instead of on the wall even though it was wired and ready to hang.
Pros
The people who go to these shows are expecting to see fine art and will not think of your work as a blanket. Unless of course you entered a ratty old blanket as a piece of conceptual art and then they would probably give it best of show. Most of these shows have a mechanism for viewers to purchase the work.
Cons
Some won't even look at textiles. Some staffers or volunteers will be stymied when you ask for two nails in the wall rather than one to hang your work - even when you send in a clear and simple instructions pinned to the back of the work.
Bottom line = do your homework. Ask yourself why you want to enter a show and then make your decisions accordingly. I'd love to hear your opinion!
I kept a notebook back when I was in the swing of things. Front page and pack page had two lists, one with shows by entry dates as seen here. This one is printed right from the list on my website. The other described below.
But I digress. The class I wanted to tell you about is called "Just Foiling Around: Foil, Glitter, and Painted Wonder-Under." Yup. You heard right - painted Wonder-Under. It's fusible paint - you can tear it, cut it, play with it, and I'm completely addicted to using it in my work. It gives a lovely and mysterious texture to the surface of your work and is a very versatile.
And a Soy Wax Batik class on Monday, May 24 . Soy wax, beside being very easy to use, is an ecologically safe alternative to paraffin. It is a magical medium that yields almost instantaneous results. To make it even easier on you, we will be using paint instead of my beloved dye which has proven to yield just as lovely results!
I'd love to thank Melanie for taking the time to say hello to you all. As in our first introduction, she is an amazing artist and a wonderful person. Don't forget to leave a comment - especially if you've had a class with Melanie in the past. What was your favorite thing about the class?
The family - never complains about take-out dinners and is used to a pretty messy house. We're slowly working on getting the kids to pick up their own stuff. I have an id that particular quest will not end until their stuff moves out along with them. And I just won't talk about complaints about dinners I actually cook.
My backpack is about the size of a shoebox and often contains, scrap, batting, needles, thread, embroidery floss and beads, a journal and a small box of paints, one pencil, two pens (Pilot t500 and a Pentel Pocketbrush) and a niji water brush. My wallet can be left behind to accommodate more cloth, perferably hand dyed dupioni, my current cloth crush. :)
