Creative Wisdom: The Gap Between Art and Taste

This quote from Ira Glass, the host of the radio program "This American Life" speaks to something I think I'm STILL going through. It's something of an achievement gap. I like my work - I just think it has a ways to go before it lives up to the potential I imagine it to have.

Signature by Lyric Kinard

Ira Glass

"Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. 

A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. 

Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through."

Welcome in STITCHES Blog Tour!

Welcome to the next to the last stop on the inStitches Blog Tour. I hope you've taken the time to stop by each blog and get to know the artists involved in this project a little better. If you are just joining the fun, feel free to go back to each blog, many of which are hosting giveaways - so leave comments on each blog to  enter. Here too! I'll tell you in just a bit what I'm giving away.

So - the idea behind my little spot in the in Stitches eMagazine was to show a bit of what goes on in my design process. Sometimes I have a plan. Sometimes not. The half-done Zebra in the top middle there is mine. She had a plan, one that didn't work out as well as I'd hoped so the plan changed. No big deal. You can watch the video to see what happened there. You can purchase your downloadable copy here. http://www.interweavestore.com/Quilting/eMags.html Believe me - it is totally cool to see and hear the authors work!

This kind of thing happens to my plans all the time. Right now I'm working on a piece, pushing right up to the deadline as per usual. It didn't have so much of a plan as a vague idea, a general direction to head in for a few steps, then see I wait to see what ideas pop up next. Things were going well but I found the piece rather boring and flat. I'm a big fan of texture and things just felt rather uninteresting to me.

Paint is often my "go-to" solution so I decided to add some shadow/highlights to the large ammonite.

I didn't want brush strokes - more of a wet wash feel so I took a brush and thoroughly wetted the quilt in the areas I wanted the paint to smoosh around in. Yes, smoosh is a technical term.

All went well for a while. The hour was getting later and I wasn't paying close attention as I kept slopping on more and more wet paint. I didn't notice some leakage and wicking happening along some of the edges until it was too late. ACK!!! I did what I could. Sopped up water, used a blow drier to stop more wicking on the inside of the big ammonite while using more water to try to sponge up the leaks. It didn't work well. 

No point in getting more stressed - so I put it to bed. Sleep usually helps. It looked a bit better in the morning and I think I've found the solution I'll follow through. I considered smooshing a lot more of the paint all over the quilt to make it look like the rest of the fabric is that way too. Instead I'm going to unpick a bunch of quilting and I think extending the purple edges will work. More careful painting will happen tomorrow - in daylight and with a fresh eye. Life is too short to stress too much about mistakes. If the piece is juried into the show - so be it. If not, I just enter it into the next show on my list. Check back in a couple of days and I'll show you a picture of the completed project. 

You might be interested in a series of essays I wrote on showing your work. They include, essays on the jury process,  rejection,  choosing venues, organizing your entries, and packing to ship your work.

Now for the goodies! I'd love to share a copy of my book, Art + Quilt: design principles and creativity exercises with one lucky winner that leaves a comment here on my blog. Tell me what you do when you make a "mistake." Do you expect perfection of yourself and are you devastated when you don't live up to the critic in your head? (been there - done that - not fun!) I'd especially love to hear about creative ways you've used mistakes to your advantage. Leave a comment by this Friday the 11th (with some way to get in touch with you!!!!) and I'll ship you a copy of the book on the 17th. (I'm teaching in Montana until then!)

And here is the list of all the posts on the tour - go back and try to win other goodies!
Sunday (Feb 27): Pokey launches the tour!: http://www.quiltingdaily.com

Monday (Feb 28): Jane Davila: http://janedavila.blogspot.com

Tuesday: Lynn Krawczyk( March 1): http://www.fibraartysta.blogspot.com

Wednesday: Jackie Cardy(March 2): http://dogdaisychains.blogspot.com

Thursday: Deb Bates (March 3): http://stitchtress.wordpress.com

Friday: Deborah Boschert (March 4): http://deborahsjournal.blogspot.com

Saturday: Michelle Allen (March 5): http://allendesigns.typepad.com

Sunday: Liz Kettle (March 6): http://textileevolution.com/?option=com_wordpress&Itemid=203

Monday: Lyric Kinard (March 7): http://lyrickinard.blogspot.com  

Tuesday (March 8): A surprise guest on Lindsey’s blog will be the final stop of this tour http://www.quiltingdaily.com

The Goddess of the Last Minute Feels Rejected

The very first person to befriend me when our family spent a lovely two years in Chicago was the wonderfully witty Robbi Eklow. On my very first visit to the area she picked me up for a few hours of bead hunting and laughter and I've counted her as a friend ever since. I have enjoyed following her career as an artist and author and highly recommend her latest book, "Goddess of the Last Minute."

One of my all-time favorite writings of hers is her response to the rejection letters we all receive. She has graciously permitted me to repost it in it's entirety for you pleasure. Pull it up next time you receive a rejection and you'll be smiling again in no time!

What if quilt shows offered you the chance to write your own acceptance/rejection letter? Or what if they wrote letters saying what they REALLY meant, instead of those nice ones that usually say how hard it was to choose just a few quilts out of all the excellent ones that were sent to them?

Here are a few of my offerings:

• Your work has been accepted into our quilt show, please peel yourself off the ceiling at the earliest convenience.

• Your work has been accepted into our quilt show, please follow the enclosed directions for shipping it to us. And thanks for the box of homemade cookies. The jury was impressed.

• Your work has NOT been accepted into our quilt show, please proceed to the nearest quart of Mint Chocolate chip icecream and dig in.

• Your work is fabulous, we can't believe we didn't notice this before and have you in our quilt show every year. In the meantime, we are looking forward to receiving your current entry and possibly putting it on the cover of our book.

• We declined to accept your work in this year's our quilt show, due to the butt headedness of our jury. Although we could not convince them to recant, we have decided never to have them again, and next time will ask them what they think of your work BEFORE we invite them to jury.

• We're sorry, we cannot accept your work into our quilt show this year. In fact, we doubt we'll ever accept your work into our quilt show. Perhaps you should consider learning to operate a pottery wheel. We're keeping your slides in an effort to prevent you from inflicting your poor taste on another jury.

• We are declining your quilt entry this year. Whatever made you think we would consider a quilt using puce and chartruce in the same quilt? We are enclosing a free coupon for a color class at your local community college.

• Puleeze! Your work looks just like (insert famous quilter's name here). Haven't you had an original idea in the last ten years? Not that (insert famous quilter's name here) has, but that's beside the point.

• We are so sorry to have declined to accept your work into this year's quilt show. Your work is so incredibly amazing, the workmanship divine, NOTHING else submitted can stand up to it, why the WHOLE show would have looked shabby compared to your work. Since we do not want to hurt the rest of the artist's feelings, we have decided not to show them up by including your work.

• Dear Mrs. Eklow, even though technically, your husband's 1966 Oldsmobile Toronado DOES qualify as a quilt (three layers:metal, upholstery and padding, held together by bolts) we feel that the shipping costs of the traveling show would be prohibitive. We did consider using the trunk as a storage area for the REST of the show, but we can't find a garage big enough to house the car, and it's reported gas mileage of 5 gallons to the mile makes that idea inefficient. That said, we do admire your efforts to find a way to get rid of the vehicle once and for all without hurting your husband's feelings.

• Dear Mrs. Robbi Joy Eklow: Unfortunately for you, we aren't taking your quilt/quilts into our show this year. Mrs. Robbi Joy Eklow, we had over 750 submittals, but we can only show 25 quilts. However we do appreciate the $40 entry fee you sent, please send another $50 if you'd like a ticket to the opening night. We need to cover our expenses. Mrs. Robbi Joy Eklow your work was one of the outstanding entrees, and we're not just saying that even though this is obviously a form letter.

• Dear Mrs. Eklow, we can't accept your quilts into our multimedia show this year. We prefer the avant guarde work we've been showing for the past 40 years and will continue to reserve our exhibition space for those artists who've shown their work for that period of time. And this year, we'd appreciate it if you'd decline to send a rebuttal letter to our rejection letter. We don't care if you think those fabric blankets of yours deserve to hang next to or in place of the lovely oil paintings of dogs playing poker.

• Please return the enclosed postcard along with a check for $50 to receive a ticket to the opening night reception. We know you'd like nothing better than to spend an evening fawning over the artists who DID make it into our fabulous show. Drinks will start at 9pm, $10 for wine, $15 for margaritas. And we've got those cute little hotdogs floating in barbeque sauce. $3

Back to archives

Artist Spotlight part 1: Melanie Testa

I would like to introduce you to an artist whose work I greatly admire. 

Still Life

I have had the pleasure of spending time with Melanie Testa on two separate occasions; as we taught at the International Quilt Festival in Houston last year, and when we filmed our Quilting Arts DVD Workshops. She is simply delightful as a person and I find her artwork to be beautiful, layered with meaning and texture, and intriguing. She is one who thinks and cares deeply both about her art, about other people, and about the world around her. Her laughter lights up a room and lifts your spirit. Her artwork draws you in and takes you on a journey. 

I hope you will enjoy getting to know her as much as I have.

Lyric: What is your story, how did you become an artist?

Melanie: I have wanted to be an artist since I was a child. I remember watching TV and being riveted when I saw imagery of Andy Warhol walking the streets of New York. My mom used to sew her own clothing and I remember watching her pin a wool plaid skirt pattern out and knew the side seams would not match if she were to proceed, so I stopped her. Then a friend of hers asked if I would like to make a vest, it was a cute little vest and it had hand sewn ribbons bordering the inside front edge. It won a blue ribbon at the fair. I also won a blue ribbon for my Sugar Collection, but that is another story.

So when I was 19, I took a traditional quilt making course at the local Handcraft Center. I fell head over heels for fabric, really I fell in love with conversational prints and vowed to go to art school to become a Textile Designer. It took about 8 years for me to settle down and focus enough to make that a reality. I was accepted into the Fashion Institute of Technology as a 27 year old adult student. I was married and lived two hours outside the city, but we worked together and made it work. My husband has always been quite supportive of me and my creative efforts.

Once I was out of college and had some creative tools under my belt, I took some workshops by well known surface design artists like Jane Dunnewold and Ann Johnston. Making what I had learned into an expression all my own is, of course the adventure of a lifetime.

L:  Was it something you wanted to do from a young age or did you take a more circuitous path? Do you have any training in basic design?

M: I was able to afford two years of schooling at F.I.T and do have an associates degree in Textile/Surface Design. The education I got from F.I.T was more of a technical schooling. I was taught to put things in repeat, to paint flower and to weave. My real education came as a result of being a Vintage Poster Restoration Artist. I restore posters by Talouse-Lautrec, Alphonse Mucha, and interestingly enough, Andy Warhol. I took this as an opportunity to evaluate drawing and painting styles and I learned to mix paint to exact specification. 

Still Life In Time

L:  Do you consciously think about the elements of art as you create?

M:  No, I do not. I work intuitively. I think the basic tenets of art making are well and deeply ingrained at this point that I am not really aware of what I am doing at all. I can slow myself down to describe it when asked.

L:  What are your fears as an artist and how do you face/overcome/talk yourself out of them?

M:  My fears. 

That my art isn't good enough. Isn't this everyone's fear? And I don't think this is a bad thing. If my art isn't good enough, if I didn't hit the 'right' note, then I still have room to grow, to dig deeply into what I am trying to get at. It is sort of zen, when you think of it this way, as though the very thing you strive to do sits, as if a seed, within what you are doing right now. Being an artist is really about fostering that seed, prompting new growth.

Next week I'll introduce you to the lovely book that Melanie has written. It has been an inspiration to me over the past several months. And here is something special. During the month of March Melanie and I will collaborate on a small work of art - a textile postcard. At the end of the moth it will be given away to a lucky reader, chosen from the comments on each of the four posts that feature Melanie and her work. You may post each week  and have an even better chance of winning this postcard. Perhaps next week I'll give you a little peek at what we are starting.

Believe

We all have insecurities. Not all of us have been blessed with encouraging parents and teachers and mentors. I've been blessed with all three and still struggle with self-doubt now and then.

I can't help but compare myself with artists I admire and wonder if I'll ever achieve the success they enjoy. I have to stop, turn around, step up on my soapbox and give myself the very lecture I give to everyone else. (Yes, I am an oldest child and have no trouble being bossy. I've worked very hard to develop a very gentle and encouraging manner - but it still comes out bossy.)

I say to myself, "Lyric, you can't compare yourself to anyone else. Sure, you haven't made more than a handful of pieces in the past umpteen years but you HAVE accomplished other things. You wrote a book for goodness sakes! That's something. None of your children are in jail! That's something too. (Of course, they have quite a way to go yet so you still need to keep your eye on the kids.) The book's done now so if you would just get off the computer you could get some artwork done. Not as much as (insert name here) but a few pieces would be nice. Those amazing artists who produce a painting a day or a quilt every week are not driving back and forth to preschool and hockey and lessons and rehearsals and scouts and meetings and school and ...... Well. You get the idea. There is a time and a season for everything. Be happy with now. Run any faster and you'll fall over and that wouldn't be a pretty sight!!!" That's what I says to myself says I!

I believe that there is a time for everything. Seasons and all that lovely poetic stuff. It's really true.

If your struggle is that you think it's not good enough maybe your little lecture should be about giving yourself time and permission to learn. It's the old Carnegie Hall schtick. Practice, practice, practice. Too many of us (especially coming from the traditional quilt world) think that if we aren't close to perfect right away then we are no good at a thing. It takes time to learn and grow.

If your struggle is that it might not turn out the way you wanted it to, perhaps your lecture should be about how every "failure" brings you one step closer to success. I don't have failures any more. I have many, many "learning opportunities" and quite a few "happy accidents." Each is valuable. Figure out how to let go some of the control and let things be.

This is where my kids would roll their eyes and say, "mom, you're lecturing again." It's O.K. I'll stop. But just one more thing. Tell yourself something often enough and you'll believe it. Doesn't matter whether the something is negative or positive. So take a deep breath, and choose to BELIEVE that you can do it. You will succeed.