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Lyric: How did you become an artist, what is your background?
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More Than Just the Sum: Northern Red Oak 18.5" x 24.5" |
Christine: When I was a child my grandmother taught me to crochet, all sorts of embroidery and needlework techniques and to sew on a treadle sewing machine. However, I was only exposed to quilting after I moved to the US in 1999. In the Summer of 2002, I made my first quilt following a pattern from a book. It was a lapquilt, machine-pieced and free-motion quilted, for my grandmother on the occasion of her 87th birthday. This piece was a valuable lesson for me in order to realize that I did not enjoy making repetitive blocks.
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My next quilt was already based on my own ideas. Feeling comfortable with straight seams, I assembled the center from 400 little squares. Over the years my skills developed: curved seams were added, strict geometric patterns were supplemented with free-form cuts. Besides having a stash of commercially available fabrics I started dyeing and painting my own fabrics. I truly enjoy the characteristics of fabric such as colors and malleability so fabric became my medium of choice.
L: I know that you were a scientist before you chose to dedicate yourself to your artwork. Why did you decide to quit that job and spend more time with art?
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L: What inspires and informs your current work?
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More Than Just The Sum: Northern White Oak 18.5" x 24.5" |
Christine: My background in biological sciences and simply life around me is the inspiration for my work.
Thematically, my current work focuses on interactions: Interactions on a microscopic level between cells or microorganisms, but also interactions between humans on an individual basis or in communities. My latest work, a series entitled “More Than Just the Sum” was inspired by images of microscopic slides prepared from wood slices. Individual cells form tissue samples with specific functions, and although various tissues are visually and functionally different, they interact and form one organism, namely a majestic tree.